At IndieWire's Craft Roundtables, some of TV's top visual effects artists explain why their department is often a driving force during pre-production.

Though blockbusters are synonymous with computer imagery, dramas and art-house films rely extensively on tech magic, too. Don’t be fooled by the naturalism. By Calum Marsh A woman crosses a bustling ...

Sam is a News Editor for Collider and a known lover of all things sci-fi and horror. She spends her days editing news stories, coodrinating exclusives, and working closely with writers to deliver ...

It’s not every day that a craftsperson wants their work to go unnoticed. But Ryan Tudhope, “F1’s” visual-effects supervisor, did. Like “Top Gun: Maverick” before it, “F1” features a compelling mix of ...

Add Yahoo as a preferred source to see more of our stories on Google. Netflix is snapping up premiere visual-effects house Scanline VFX, announcing a deal to acquire the company that has done work on ...

A new video was released over the weekend which has gone viral in vfx circles. Produced by Mubi and The Royal Ocean Film Society, it’s a detailed look at the overworked and underappreciated vfx ...

Walt Disney Pictures visual effects crews are one step closer to becoming unionized. Disney crews filed with the National Labor Relations Board Monday for a vote to unionize, marking the second visual ...

There’s something appropriate about David Fincher’s Mank premiering during one of the most unusual years Hollywood has experienced in several generations. Digital Trends spoke to Mavromates about his ...

The last director nominated for his film's VFX was Stanley Kubrick — who won for "2001: A Space Odyssey." How John Reynolds Went from Having $74 in the Bank When Cast in ‘Stranger Things’ to Writing ...