A new Danish film, “The Kiss,” could be said to revolve around romance and a particular osculation, yet its real concerns lean toward the seductive and destructive qualities of pity. Based on “Beware ...
Thirty years after the revolutionary DOGMA 95 manifesto, a new generation of Danish filmmakers is reigniting its spirit. Unveiled yesterday at the Cannes Film Festival, DOGMA 25 promises to be a fresh ...
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